Charles Landry: What is a Creative City?
Charles Landry has been talking about creative cities for the past 30 years — long before the term he coined became popular — and long before we realized that a new approach to cities is essential for the future of our planet.
In this interview with Creative Cities, Landry explains his democratic approach to the ideas of city-making. Landry defines creative cities as “places where you can think, plan and act with imagination”, and suggests that the best way to unleash the creative potential and energy of a city is through a combined bottom-up and top-down approach – coupling artistic, grass-roots challenges to the status quo with flexible responses from authorities who adapt regulations and create incentives to encourage “civic creativity” (ie, imaginative problem solving for the public good) from the people.
Through his writing, Landry encourages us to see our cities in new ways, and to adjust our value systems to a new age.
Landry describes the imagination of people as the greatest resource a city can call on, which prompts the question: how are we investing in this resource when shaping our cities, or building cities for the future?
Through his work, Landry encourages us to expand this potential resource by recognizing the artistic in everyone, and inspiring people from outside the fields traditionally recognized as “creative” to see themselves as capable of being agents of innovation and change in daily life. He encourages us to see the act of city-making as an art, rather than a science or purely technical pursuit, with all the intuition and nuance that requires. Importantly, he notes that the responsibility for this art falls to no-one, or lies only with any one profession or leadership position – and should be shared by everyone.
We’re pleased to announce that Charles Landry will be a regular contributor to the Creative Cities East Asia conversation over the next few months. In his first post, Landry discusses the “geography of blandness” that is appearing as more cities aim for the “global city” ideal.
While cities consist of physical pieces of architecture and infrastructure, Landry highlights that cities are also experiences for those who inhabit them, places experienced through the senses, recorded in memory and coloured by emotion. Do we lose our place in that sensory landscape when we try to follow a formula for building a global city? How do we balance the competing interests of the global and the local, order and chaos, duty and pleasure, in our shared civic spaces? We hope Charles Landry’s contribution to the discussion here will stimulate responses and help us extend this crucial conversation into your city.




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